Low-Down on Podcasting – Part One

I’ve just finished producing a series of podcasts in the Dubai Airshow, but I thought this is a terrific chance to speak through the gear you want to record music podcasts.

Before you are able to do anything you want a recorder. While tape-based systems were de riguer a couple of decades before, I'm fearful that everything has gone electronic. The benefit is obvious – you capture your audio, connect the recorder into your computer and move the recording across immediately for editing.

While it’s possible to get away with a rather affordable recorder, like the Olympus WS300S, you need to be certain you report using the mono hi-quality (HQ) setting – normally 64 kbps MP3. # & that 39;s OK and just about good enough for podcasts. If you truly take your podcasting seriously then a higher-end recorder such as the Tascam DR-07 is vital. This is the version I use and besides chewing batteries it’s superb.

The purists will list using the uncompressed WAV format, however, that offers you tremendous documents that may not readily be emailed. Putting the recorder to 128 or 192kbps MP3 provides you documents which are around 1Mb per second, especially equal from WAVs and may be emailed easily.

So you’ve got your recorder, you't put it up to document 192kbps MP3 files. Now what? Be certain you place the sample rate to 44.1KHz. Again, the sample rate determines the grade of the output and 44.1kHz is good. In reality, if you place it to a speed which isn’t an specific multiple of 22. 05kHz some MP3 players can make your records sound like Mickey Mouse – you’ve been warned.

So now you’ve got your recorder setup, with new batteries along with a fresh memory card added around about 1-2Gb.

The next thing to do is to plug into a fantastic excellent microphone. When some recorders have built-in microphones they’re usually fairly poor and lead to lots of managing noise as you transfer the recorder about.

A fantastic mic like the Sony ECM-MS907 is worth its weight in gold. Primarily, it’s extremely small and streamlined, but furthermore it’s switchable from a 90-level acceptance angle to 120 degrees. This usually means you could stand with your back into a noisy environment and the microphone will reject the sound coming from behind you. Oryou can change it to 120 levels, stand it on the table and then record a few people at the same time, provided that they’re in the front of the mike.

if you’re on a property Hama produces a mic known as the DM-20, that costs less 10 from Amazon.

Should you prefer recording your own voice, while some studying news bulletin boards, then it might also pay you to obtain a pop up filter.

That is a round disc of material at the conclusion of a flexible arm that prevents you becoming popping noises as you speak in the mike. This is brought on by the rush of air from the mouth – try placing your hands about six inches out of the mouth and say”pah” and you'll see what I mean.

When outside interviewing people it is worth it to stand alongside them and maintain the mic below their chin level and glancing in their mouth. This way the mic is from the way of the breath flow and you shouldn’t get popping.

So now you’ve got the mic and recorder setup the entire world is your oyster.

When recording substance try to not script it a lot, otherwise it’ll sound stilted. And use really open-ended questions which need far more than simply”yes” or”no” replies. Questions that begin”can you explain…” or”can you describe…” usually do the job nicely, but do be certain that you listen to the replies.

Also, ensure you close up between asking queries – only shout at the interviewee and grin. In the event the entire interview is interspersed with”uh-huhs” out of it makes it frustrating and difficult to edit.

So 's the low-down on podcasts. The next timewe can take a look at everything you do using all the raw material.

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